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Master Mawhee 89 inch VSL

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        Master Mawhee August 2020 Sound Clip   Video        It is based on the Mawhee pieces from a hundred year ago,   just a smidge larger! I started with the peg head by laminating   salvaged pallet Pine 1X4’s and glued them up strategically cutting away all the material I didn’t need to lighten the piece. It has three store bought machine tuners that I glued Walnut scales to and finished them with several coats of shellac. The peg head was sealed with two coats of shellac and then got two spray paint base coats of black. I then started on the tail piece. It is three laminated pieces of very old heart pine, again cutting away all that wasn’t needed to lighten it. I selected the heart Pine for strength seeing it would be anchoring a number 18 and two number 8 music wire pulled up as high as they can go! I thought about making it Maple as I did with the outer layers of the peg head, but stayed with the Pine. The tail piece was also sealed with two coats of shellac and two coats

..and the "Dulcimore"

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      I didn't know what to call it. I've used girls names, descriptions and now for lack of imagination, the obvious. "Dulcimore" It is an amalgamation of the "Betty" and the "ultra-lite". I've also decided to abandon the contemporary DAd tuning set up and string selection associated with it. A wonderfully sounding Ionian 1-5-5 tuning is better suited with the bass string being just a few thousands larger than the melody and middle drone to ring proper. With an all Poplar piece it should come in at around a pound! Tuned usually up around Aee it really rings. So: 26 inch VSL 4 1/4 inch upper bout 3 inch waist 5 1/8 inch lower bout 1 3/8 inch sound box depth       Prices start at just $350 shipped to your door USPS Priority insured. All Poplar with your choice of Rosewood, Boxwood or Ebony tuners and a shellac or hand rubbed oil finish.     dulcimoredan@gmail.com  Customization; let me know what traditional aspects yo

The "Fiddle" Dulcimore

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The Fiddle Dulcimore took me a while to figure out, I think I got it! With the 26 inch VSL you have your choice of nut and bridge material. Wooden tuners in an open bottom peg box for ease of tuning and restring. The piece sports a button scroll. Prices start at just $500 shipped to your door USPS Priority insured. All Poplar with your choice of Rosewood, Boxwood or Ebony tuners, shellac or hand rubbed oil finish. dulcimoredan@gmail.com   Customization; let me know what traditional aspects you want and I can make it. I make Traditional Appalachian Dulcimore!

The "ulta-lite"

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28 inch Vibrating String Length  Once the Betty design was complete, I wondered about the string length being less than the Kentucky standard; about 28.5 inches. Understanding the weight to mass ratio, I began a study to determine the dimensions of a 28 inch piece. Elongating the piece required narrowing it and removing as much material as possible and the ultra-lite was born! The very narrow waist is reminiscent of the Thomas pieces. It is difficult if not impossible to make a traditional Appalachian piece without picking up some aspect of his work! It did after all change very little in some sixty years. Although a very different approach to the traditional sound as the Betty, it simple fulfills a different tonal dimension. The 28 inch VSL is best tuned somewhere around (C), where as the Betty’s 26 inch VSL is better suited up around a (d) or even (e). Not that either can be tuned higher or lower but they have sweet spots dependent on their dynamics. Prices start at just $350

The "BETTY"

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26 inch Vibrating String Length   When I first started this dulcimore adventure I asked myself, what makes the dulcimore sound like a dulcimore? I read all the books I could find about traditional pieces and those that had measurements I used to make a spread sheet with the sound box dimensions. The median measurements are what I extracted for the “Betty”. Of course there is more to the dulcimore timber than dimension; poplar was the wood of choice for makers Prichard and Thomas. Placement of the nut and bridge over the very ends of the sound box and three feet to set it off the table top for play are equally important. The use of wooden friction tuners and music wire strings and most importantly, the ratio of weight to mass of the strings to the instrument! The peg head I designed is simple. It has a ball end to reflect the circle sound holes which are lunar.  The tail piece is Thomas “esk”, I’m especially fond of the wide staple the strings break against to protect the wood